weird~is~cool


marvel-slash-geek:

vulcankirkspock:

1ehnsherr:

it just occurred to me that james mcavoy is going to have to spend most (if not all) of x-men: apocalypse in a wheelchair and

image

i’m seriously concerned

maybe they should delay the date of X-men:apocalypse

that would make an amazing headline

x-men: apocalypse delayed because actor mcavoy won’t stop crashing around with xavier’s wheelchair on set’


Shared Oct 01 with 945 notes » via - source + reblog




chocolatecoffeeandbooks:

I go to a women’s college. We have a walkway where bricks can be purchased by alumnae. Most just say names or class years/mascots. But this one. This one is special. It speaks to me.

chocolatecoffeeandbooks:

I go to a women’s college. We have a walkway where bricks can be purchased by alumnae. Most just say names or class years/mascots. But this one. This one is special. It speaks to me.

Shared Oct 01 with 114,591 notes » via - source + reblog




221beemine:

cartopathy:

221beemine:

cumberbear:

fuckyeahfightlock:

So I honestly can’t believe I’ve never seen anyone talking about the art direction of this scene. If I’m repeating something, Ah,well. But I’ve honestly never seen it pointed out that this is the very first time we see Mary, and there are three important things here:
Mary reaches for John’s hand. John takes it, of course—he is used to being offered comfort for his loss, by now—but he is not reaching out to her for comfort in his sadness. She is inserting herself into his grief. Reflexively, he lets her.
We only see the back of her. It’s unusual to introduce a major protagonist any other way than by showing their face pretty much immediately. A major antagonist, however…a baddie…well, they often are introduced in a cloud of cigarette smoke, from a distance, in the shadows, as a mysterious voice on a phone, or in some other way that doesn’t tell us right away who they are. Our first glimpse of Mary gives us only the most vague information about her. Obviously a woman, obviously someone John is close to, as he holds her hand. Other than that…who is she? We don’t know.
Finally, it’s no mistake she is wearing a long, grey coat which flares slightly from the waist, and a blue scarf. But they are paler shades of those colours than Sherlock’s coat and scarf were, because Mary is but a pale imitation of the person we are used to seeing standing beside John Watson (even once, when they were handcuffed together, holding John Watson’s hand in a manner similar to what we see here). Her coat and scarf look cheap, “less than,” and her denim jeans are “less” than Sherlock Holmes’s designer trousers. Her dark hat is a visual echo of Sherlock’s dark hair. This whole shot is set up not only to remind us that Sherlock used to stand here at John Watson’s side, but also that This is some lesser, fake, replacement-Sherlock standing at John Watson’s side, and whether consciously or unconsciously, John has chosen a pale imitation indeed.

I love this, it’s brilliant. Just want to add… the black hat, I’ve never even noticed this before but it completely blocks out every part of her head/face, you can’t even see her hair. To me it’s like a nod to the ‘real’ Mary, the assassin who we see in HLV dressed all in black with a gun to Sherlock. That’s what people do when they do bad things, they dress to disguise and hide themselves so as not to be recognisable. They’ve put her in that staple ‘bad guy’ hat (when they so easily could have had her in something lighter/less threatening) right from the very start. They’re telling us from the first second we see her that she’s not to be trusted. Just brilliant.

So good. All these little hints—even the first time I saw the promo shot of her from before S3, in her purple dress with the black jewels, I thought “what a film noir femme fatale”—the black jewelry really had an impact on character design. Imagine if she had been decked in pearls instead on the night of the engagement scene? These little touches add so much.
If I have any predictions about S4 or the Christmas special, it’s that Mary is going to be dressed in a lot of red, her other major defining color. Gray, red, that smoky purple, black—these are her mystery/assassin colors; blue is in scenes where she is strongly aligned with John (reading the blog/shaving scene; planning the wedding with John and Sherlock).

I like too that it’s the same view of her that Sherlock gets when he walks in on her in CAM’s office. It’s like, when she finally turns around in that scene, she is finally turning around in this scene to look at us. To reveal herself. But here she doesn’t turn around, because here she is still disguised. That means that Mart Morstan, the woman John married, is not in any way the real person who is here. With John she is completely disguised. We don’t see her, we don’t even see a glimpse of who she is with John.We don’t see a glimpse of who she really is until she shoots Sherlock.

Reblogging with caps for @cartopathy’s observation.

221beemine:

cartopathy:

221beemine:

cumberbear:

fuckyeahfightlock:

So I honestly can’t believe I’ve never seen anyone talking about the art direction of this scene. If I’m repeating something, Ah,well. But I’ve honestly never seen it pointed out that this is the very first time we see Mary, and there are three important things here:

Mary reaches for John’s hand. John takes it, of course—he is used to being offered comfort for his loss, by now—but he is not reaching out to her for comfort in his sadness. She is inserting herself into his grief. Reflexively, he lets her.

We only see the back of her. It’s unusual to introduce a major protagonist any other way than by showing their face pretty much immediately. A major antagonist, however…a baddie…well, they often are introduced in a cloud of cigarette smoke, from a distance, in the shadows, as a mysterious voice on a phone, or in some other way that doesn’t tell us right away who they are. Our first glimpse of Mary gives us only the most vague information about her. Obviously a woman, obviously someone John is close to, as he holds her hand. Other than that…who is she? We don’t know.

Finally, it’s no mistake she is wearing a long, grey coat which flares slightly from the waist, and a blue scarf. But they are paler shades of those colours than Sherlock’s coat and scarf were, because Mary is but a pale imitation of the person we are used to seeing standing beside John Watson (even once, when they were handcuffed together, holding John Watson’s hand in a manner similar to what we see here). Her coat and scarf look cheap, “less than,” and her denim jeans are “less” than Sherlock Holmes’s designer trousers. Her dark hat is a visual echo of Sherlock’s dark hair. This whole shot is set up not only to remind us that Sherlock used to stand here at John Watson’s side, but also that This is some lesser, fake, replacement-Sherlock standing at John Watson’s side, and whether consciously or unconsciously, John has chosen a pale imitation indeed.

I love this, it’s brilliant. Just want to add… the black hat, I’ve never even noticed this before but it completely blocks out every part of her head/face, you can’t even see her hair. To me it’s like a nod to the ‘real’ Mary, the assassin who we see in HLV dressed all in black with a gun to Sherlock. That’s what people do when they do bad things, they dress to disguise and hide themselves so as not to be recognisable. They’ve put her in that staple ‘bad guy’ hat (when they so easily could have had her in something lighter/less threatening) right from the very start. They’re telling us from the first second we see her that she’s not to be trusted. Just brilliant.

So good. All these little hints—even the first time I saw the promo shot of her from before S3, in her purple dress with the black jewels, I thought “what a film noir femme fatale”—the black jewelry really had an impact on character design. Imagine if she had been decked in pearls instead on the night of the engagement scene? These little touches add so much.

If I have any predictions about S4 or the Christmas special, it’s that Mary is going to be dressed in a lot of red, her other major defining color. Gray, red, that smoky purple, black—these are her mystery/assassin colors; blue is in scenes where she is strongly aligned with John (reading the blog/shaving scene; planning the wedding with John and Sherlock).

I like too that it’s the same view of her that Sherlock gets when he walks in on her in CAM’s office. It’s like, when she finally turns around in that scene, she is finally turning around in this scene to look at us. To reveal herself.

But here she doesn’t turn around, because here she is still disguised. That means that Mart Morstan, the woman John married, is not in any way the real person who is here.

With John she is completely disguised. We don’t see her, we don’t even see a glimpse of who she is with John.

We don’t see a glimpse of who she really is until she shoots Sherlock.

Reblogging with caps for @cartopathy’s observation.

Shared Oct 01 with 15,785 notes » via - source + reblog




Shared Oct 01 with 178,302 notes » via - source + reblog




thefullmoonpill:

WOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOh   

MONA LISA


Shared Oct 01 with 21,669 notes » via - source + reblog




vikingofficial:

breakdalaw95:

awkwardvagina:

awkwardvagina:

im gonna watch an episode of my little pony

i learnt that bullying is wrong and you should make friends with people based on their personality rather than looks how the fuck are people sexualising this show like what the fuckity doo

the ponies are hot, dumb ass -_-

image


Shared Oct 01 with 196,371 notes » via - source + reblog




radioactive-burito:

one of the most iconic moments ever. why can’t every break-up be like this?

Shared Sep 30 with 14,674 notes » via - source + reblog




barachiki:

barachiki:




The Baker Street Mission Accomplished handshake (steps)

Congratulations on the Emmy Wins!

barachiki:

barachiki:

image

image

image

The Baker Street Mission Accomplished handshake (steps)

Congratulations on the Emmy Wins!

Shared Sep 30 with 10,989 notes » via - source + reblog




DENIED x)

From The Mark of Athena

Shared Sep 30 with 3,128 notes » via - source + reblog




consultingpiskies:

loryisunabletosupinate:

darlingbenny:

#these assholes lmao

Can someone reblog this adding the gifs of lestrade listening politely?

Here you go. :D

 

Shared Sep 30 with 49,602 notes » via - source + reblog




anabundanceofstilinskis:

chinaprimehd:

gracefullikeagazelle:

knives-and-pipes:

upgraders:

most private thing im willing to admit: im not good at estimating how much pasta is enough for one person 

image there’s a tool for that

I’m sorry, does that scale progress from a child to a HORSE?

'I am so hungry I could eat a horse'

By that logic, we start at ‘I am so hungry I could eat a child’


Shared Sep 30 with 444,738 notes » via - source + reblog




youdtearthiscanvasskinapart:

supertrout95:

youdtearthiscanvasskinapart:

9 hours of studying and I can’t remember my own name but I can remember how to kill a man using a toothbrush so there’s that

the hell kind of classes are you taking?

I’m a forensic criminologist our slogan is “can’t run fast enough to be a serial killer so I’ll just help the police catch them”


Shared Sep 30 with 250,143 notes » via - source + reblog




knittinginpublic:

Do not hate the kids who read Wuthering Heights because of Twilight.
Do not hate the kids who support LGBTQ rights because of Glee.
Do not hate the kids who call themselves feminists because of Beyonce. 
Do not hate the kids who read LotR because of GoT. 
Do not hate the kids who question beauty standards because of All About that Bass. 

Support them. Encourage them. Protect them at all costs. 
I don’t care how you learned it. You are learning good things. 


Shared Sep 30 with 28,547 notes » via - source + reblog




dolofang:

compassfox:

drop-bass-not-babies:

Nothing says “I support gay equality” like a straight couple kissing in public.

… I’m a girl
We’re both girls

nothing says “I support equality” like assuming someone is a boy because they have short hair

dolofang:

compassfox:

drop-bass-not-babies:

Nothing says “I support gay equality” like a straight couple kissing in public.

… I’m a girl

We’re both girls

nothing says “I support equality” like assuming someone is a boy because they have short hair

Shared Sep 30 with 133,354 notes » via - source + reblog




regularguy5mb:

subtlyforyou:

Dogs that are having a worse hair day than you are.

That first one looks like Eeyore.

Shared Sep 30 with 36,728 notes » via - source + reblog